Representation
A representation is, “a visual message or part of a visual message
that is tied to what we see and recognize from environment and experience.” In
other words it is the most realistic visual model next to experiencing the
object in real life; given that it is a clear picture with good lighting. This
photo represents the Seattle Branch Library, located in Seattle Washington.
This direct reporting of visual details carries a large amount of detail and
facilitates a remote visual experience of what the library and surroundings
look like during this time of day. Car movement is represented by the streaks
of white headlights and red brake lights along the surrounding streets. The
dimly lit sky and the lights glowing through the library windows represent
nighttime. Lastly, the building itself, in its exact geometric shape, color,
and surroundings represent the Seattle Library.
Abstraction
“Abstraction, visually, is simplification toward a more intense
and distilled meaning.” Abstraction can take two paths, one being pure
abstraction, and the other a mere symbol with meaning attached (which is
arbitrarily assigned). In the case of this piece of abstraction, the object is
stripped down to minimal representational information and draws no connection
with familiar visual data, environmental or experiential. The artist who
painted the displayed piece of art mentions that it is a jellyfish
abstract. When looking at it, one
can understand why the artist assigned this meaning; derived through the
concept of thin jellyfish-like tentacles attached to round bulbous-like
jellyfish bells. Without this
arbitrary assignment of information, the meaning of this painting would be
unknown and left to the imagination of the viewer.
Symbolism
Use of symbols demonstrates “symbolic thinking”, which is a
“stepping stone to language.” In the United States it is
universally understood that a yellow sign with a man walking between two lines denotes
a pedestrian crosswalk. This sign
is considered a symbol because it does not carry a large amount of detail;
containing only a human figure walking between two lines. In order for this form of visual
communication to become a universally understood message, public education is
necessary. The sign is packed full
of crucial information that provokes both thinking and language. On the one
hand a driver will see and understand it as a sign cautioning them that the
designated area provides the pedestrian the right to cross. While n the other hand a pedestrian
will see and understand it as a sign for having the right to cross the street
safely at that specific location.
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